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Here’s another advantage to drawing digitally, even for on-location sketching with a laptop. In trying to quickly draw this fidgety little girl at a coffee cafe—who kept looking back and forth from the picture book that her mother was reading to her, back to her mother for questions..constantly flipping her profile 180°—working digitally, I just kept flipping this sketch in sync with the whims of this very young subject. Try doing this with pen and paper..
(this is a close-up..I planned to include mom, book and cafe environment but they got up and left..both the frustration and charm of on-location sketching..)

Here’s another advantage to drawing digitally, even for on-location sketching with a laptop. In trying to quickly draw this fidgety little girl at a coffee cafe—who kept looking back and forth from the picture book that her mother was reading to her, back to her mother for questions..constantly flipping her profile 180°—working digitally, I just kept flipping this sketch in sync with the whims of this very young subject. Try doing this with pen and paper..

(this is a close-up..I planned to include mom, book and cafe environment but they got up and left..both the frustration and charm of on-location sketching..)

posted 3 years ago and tagged as quick sketch drawing digital art

As a freelance storyboard artist, once a job is completed, I seldom know how the concept (campaign) is received by focus groups/clients. The usual way to find out if a concept made it to air, is to actually see it on TV ..many times catching it by chance in the background as I’m working on another project. This was the case here when I recently saw this quirky “Eat Like An Alpha” Oberto ad that I worked on 2 years ago.

..and my keyframe for this campaign that I dug up from ‘08:

..and my '08 keyframe for this conpt tt I dug up:

posted 3 years ago and tagged as storyboard